The essentials for controlling the Nikon D5200 as an advanced photographer – that's what this guide is all about. A tour through the manageable number of manual settings that really matter, are most important for the look of your photos.
In case you're wondering why I chose the settings presented here of all things for this page, I explain it here:
The camera modes for advanced and expert users are P, S, A, M and U1, U2.
P, S, A, M are four modes with different exposure control and only here you have full control over all camera settings.
Which of the four you should choose is also a matter of personal preference. You can get identical results with all four. My personal order is:
However, you can always change the combination of shutter speed and aperture with a turn of the rear dial when it matters.
In the camera modes P, S, A, M there is no panic button that immediately resets all camera settings to reasonable, leave alone personally preferred values. Settings you change stay as you set them – even if you turn the camera off and on again, even if you change the camera mode.
A reset is the only help, it at least puts common settings back to Nikon's default values; you have to restore your preferred deviating values yourself afterwards.
To reset, hold down the two buttons on the back with a green dot for about two seconds until the LCD flashes briefly.
Everything else you have to reset yourself if necessary. The shooting menu and the custom settings menu have their own menu items for this. Otherwise, you will have to go through all the menus you have touched and check the purely mechanical switches on the body and the lens.
In the custom settings menu – if you've been there – there are only two items that can really spoil later shots if you touch them and don't reset them later:
You can also take pictures with the D5200 by using a preview on the camera monitor (”Live View“). However, the D5200 then reacts noticeably slower and, especially in bright daylight, you recognize your image content much better through the viewfinder.
For me the Live View mode is for movies, nice when you hold the camera just above the ground or high above your head and better look at a tilted monitor, and for rather special cases in which you want to see a preview with the effect of camera settings.
As an advanced photographer, you should be familiar not only with what focal length(s) your lens offers, but also how wide-angle, normal, and telephoto focal lengths affect images differently. This is not generic knowledge, not specific to the D5200, however.
The D5200 has a crop factor of 1.5, which means that a focal length of about 30-35 mm matches to the standard focal length of 50 mm on a 35 mm camera, smaller ones to wide-angle and larger ones to telephoto lenses.
With the D5200, you give many commands via camera settings on the monitor, in the shooting information. This is a simplified operation compared to the larger siblings of Nikon's SLR cameras; more expensive models have more buttons and switches to make settings faster.
The i button on the back of the camera displays the recording information when the monitor is black.
Pressing the i button again will light up one of the settings in yellow, then you can use the direction buttons and the OK button to select and edit settings.
There is also an info button on the top, but it only turns the recording information on and off, it does not allow you to change it. I would ignore it and just use the i button. To make the display information disappear, you can simply tap the shutter button.
You can change how the recording information is displayed in the setup menu . The first picture above is the default display, the second the setting. On this website I show pictures of the classic version, which looks like the larger Nikon models. But it is a matter of taste what you use, the information displayed is identical.
Focus tracking | Focus Tracking controls whether the autofocus ”locks“ once it can focus correctly or whether it constantly tracks moving subjects.
You can select it in the shooting information the title Focus mode:
The subject must be moving at the moment of focusing for the autofocus to switch to focus tracking.
Focus on a certain point in the image | The AF area mode controls where in the image the D5200 puts the focus. You find it right next door in the shooting information.
Auto-area AF: The D5200 alone selects from all 39 focus points, most of the time it will focus on the foreground.
Single-point AF: You select a sensor for focusing yourself.
Dynamic-area AF with 9/21/39 focus points: For moving subjects; you select a focus point yourself as before and try to track your moving subject. If you lose it momentarily, the D5200 will use the surrounding metering points as a supplement. Not available with AF-S.
3D-tracking: Also for moving subjects; you select a focus point the camera's automatic system tracks your subject with all its 39 focus points when it moves within the viewfinder. Difference to the dynamic-area AF is that 3D tracking also uses colour information from the exposure metering system. Not possible with AF-S.
Viewfinder display | The D5200 displays the exposure time and the aperture at the bottom of the viewfinder when the exposure metering is active, briefly tap the shutter release button if you do not see any green numbers there.
A simple number is to be read as a fraction of a second, e.g. 60 means a 60th of a second.
A number with two dashes " is to be read as seconds, e.g. 2" means two seconds.
The D5200 does not display the ISO sensitivity in the viewfinder in Nikon's default settings. However, you can display it permanently using the custom seettings menu d3 ISO Display .
Recommendation: Set it to On .
The ISO sensitivity then appears at the bottom right of the viewfinder instead of the number of pictures that still fit on the memory card. I think this is a good swap.
Anzeige auf dem Monitor | In den Aufnahme-Informationen zeigt die D5200 alle drei auch an – beachte aber, dass sich die gemessene Belichtung mit dem Bildausschnitt ändert. Wenn du die Kamera vom Auge nimmst, wird sich der Bildausschnitt ändern und die angezeigte Belichtung entspricht nicht mehr deinem gewünschten Foto. Traue Blende, Belichtungszeit und ISO in den Aufnahme-Informationen nur, wenn die Kamera auf einem Stativ steht.
Display on camera monitor | In the shooting information, the D5200 also displays all three – but note that the metered exposure changes with the framing. If you take the camera away from your eye, the framing will change and the displayed exposure will no longer match your desired photo. Only trust the aperture, exposure time and ISO in the shooting information when the camera is on a tripod.
Setting aperture and shutter speed | How you can change aperture and shutter speed depends on the camera mode:
You can change the aperture and shutter speed combination by turning the rear dial.
This is called "program shift", the camera mode display changes from P to P*.
If the aperture and shutter speed do not change when you turn the rear dial, you have probably reached the maximum or minimum possible aperture of your lens.
Setting the ISO sensitivity | The easy-to-remember way to set the ISO sensitivity leads back to the shooting information, its place is at the bottom right.
There is also a shortcut: the function key labelled at the front left, together with the command dial. At least in Nikon's default settings, if you have not assigned the function key to another favourite function in the custom settings menu .
The auto ISO sensitivity control can automatically increase the ISO value you have selected if the exposure time is in danger of becoming too long. If you want to react quickly with your camera, this can be an important setting.
Here's how the auto ISO control works:
You can set the auto ISO control in the shooting menu only.
I have already described the simplest method for controlling image brightness, exposure lock, in the basic Nikon D5200 settings:
The exposure metering method determines where in the frame the D5200 measures brightness and how it deals with differently bright parts of the image.
You select it with the item Metering in the shooting information:
Matrix = exposure metering with 2016 sensors over the entire image area and evaluation with complex logic of the camera electronics.
centre-weighted = metering of brightness over the entire image area with higher weighting of the centre of the image (a circle with a diameter of approx. 50% of the image height)
spot metering = metering of brightness exclusively in a small circle around the active autofocus sensor or the centre of the image. The diameter of the spot metering area is only about one tenth of the image width, unfortunately not marked in the viewfinder.
Exposure compensation makes a photo lighter or darker than with the automatically measured exposure. You can apply it to any metering method as a manually selected correction.
You set an exposure correction by pressing the +/-button and simultaneously turning the rear dial.
There is also an entry in the bottom right-hand corner of the shooting information, if you prefer.
You can select the white balance and thus the colour rendition with the option
Set a manual white balance on a grey or white reference surface as follows:
In camera modes P, S, A, M you have to switch the flash on and off yourself.
Pressing the flash control button will pop it up, and then the D5200 will fire it. Otherwise it won't. To switch off, press the flash from above to retract it.
Flash synchronisation is the coordination of the very short flash duration with the longer exposure time of the camera.
Flash synchronisation is controlled
: The flash lights up at the beginning of the exposure time ("synchronisation to the 1st shutter curtain").
The exposure time is limited upwards and downwards; (changeable) Nikon default:
: The longest exposure time can deviate up to 30 s (slow sync).
: The flash lights up at the end of the exposure time (“synchronisation to 2nd shutter curtain”). In P and A modes, the D5200 will then automatically add slow sync SLOW as well.
: Before shooting, the AF-assist light will illuminate for about one second to reduce red-eye.
Please do not use this setting, it is unpleasantly blinding and creates corresponding facial expressions in your photos.
A flash exposure correction makes the flash shine brighter or darker compared to the automatically determined brightness. The brightness of the background, where the flash does not reach, remains unchanged.
You can set it in the shooting information or use a somewhat fiddly shortcut:
Press the flash and exposure compensation buttons at the same time and then turn the control dial with your right thumb.
This operation is modelled on the larger Nikon models; if you recognise it from there and like it, it's a nice shortcut. If not, and you find it strange, just stick to the shooting information.
The entries and in the shooting information are responsible for the RAW and/or JPG file format and additional JPG options:
for file format and JPG compression:
The levels FINE / NORMAL / BASIC stand for different compression, FINE delivers the largest, BASIC the smallest files.
matters for JPG files only, defines their resolution:
L for approx. 24 megapixels (64,928×3,264 pixels)
M for approx.13 megapixels (3,696×2,448 pixels)
S for approx. 6 megapixels (2,464×1,632 pixels)
Nikon groups together common settings for developing RAW data into JPG files under the title Picture Control: sharpening, contrast, brightness, saturation and hue.
The predefined titles
You will already be familiar with image playback and scrolling through photos at this point, including zooming in and out of displayed photos.
Please also try the up and down arrow keys ⏶⏷ while the D5200 is displaying a photo full screen. This will change the information displayed with a photo.
In the playback menu you can activate or deactivate various views of an image carrying different additional information. In particular, you can switch on and off the RGB histograms necessary for assessing the exposure or the simpler help of flashing overexposed areas.